Julia Jacklin - Get Away From Me (I Think I'll Love You Soon) [Official Audio] (2026)

Julia Jacklin’s ‘The Gem’: A Raw, Reflective Journey Through Love and Ambiguity

When I first heard Julia Jacklin’s new single, Get Away From Me (I Think I’ll Love You Soon), I was struck by its paradoxical nature. Here’s a song that feels both urgent and hesitant, a perfect encapsulation of the emotional tug-of-war Jacklin seems to thrive in. It’s a track that doesn’t just ask for your attention—it demands it, with its jangly guitar riffs and lyrics that feel like they’re whispered directly into your ear. But what makes this particularly fascinating is how Jacklin manages to balance vulnerability with a kind of defiant clarity. It’s as if she’s saying, I’m a mess, but I’m my mess, and that’s okay.

This duality is the heartbeat of The Gem, her upcoming album. Recorded in a converted hotel room above a Melbourne pub—also named The Gem—the album feels like a physical manifestation of its title. Personally, I think there’s something deeply poetic about the setting. A hotel room, after all, is a transient space, a place where people pass through, leaving fragments of their stories behind. And isn’t that what songwriting is? Collecting those fragments and turning them into something tangible?

One thing that immediately stands out is Jacklin’s description of the recording process as digging in the dark. What this really suggests is a kind of creative faith—trusting that something meaningful will emerge even when you can’t see the full picture. In a world where artists often feel pressured to have everything figured out, Jacklin’s willingness to embrace ambiguity is refreshing. It’s a reminder that art doesn’t have to be polished to be profound.

The Art of Accessible Complexity

Jacklin’s music has always walked a fine line between accessibility and depth. Her songs are the kind you can hum along to after the first listen, but the more you engage with them, the more layers you uncover. Get Away From Me is a prime example. On the surface, it’s a catchy, almost playful tune. But dig a little deeper, and you’ll find a meditation on the complexities of love and desire. What many people don’t realize is that this balance is harder to achieve than it looks. It requires a songwriter who’s both confident and self-aware, someone who can distill intricate emotions into something universal.

From my perspective, this is where Jacklin shines. She’s not afraid to be messy, but she’s also not interested in wallowing. Her songs are like conversations with a close friend—honest, a little awkward at times, but always genuine. And in an era where music often feels overproduced or overly curated, that authenticity is a breath of fresh air.

A Global Tour, A Personal Journey

Jacklin’s upcoming tour is another aspect of this release that’s worth unpacking. With dates spanning North America, Europe, and the UK, it’s clear she’s aiming to connect with a global audience. But what’s interesting to me is how this tour mirrors the album’s themes. Just as The Gem is about navigating uncertainty, touring is inherently about stepping into the unknown. Every city, every crowd, is a new opportunity to share her story—and to hear how it resonates with others.

If you take a step back and think about it, there’s something deeply human about this. Music, at its core, is about connection. And Jacklin’s willingness to embark on this journey, to bring her raw, unfiltered self to stages around the world, is a testament to her commitment to that connection.

The Broader Implications: Why This Album Matters

The Gem isn’t just another album—it’s a cultural moment. At a time when the music industry often prioritizes trends over substance, Jacklin’s work feels like a rebellion. It’s a reminder that great art doesn’t have to be flashy or overly complicated. Sometimes, all it takes is a guitar, a voice, and the courage to say what you feel.

What this really suggests is a shift in how we consume and appreciate music. In an age of streaming and instant gratification, Jacklin’s music invites us to slow down, to listen deeply, and to engage with the nuances of human emotion. It’s a call to embrace imperfection, to find beauty in the messy, unfinished parts of ourselves.

Final Thoughts: A Gem in the Rough

As I reflect on The Gem, I’m reminded of why I fell in love with music in the first place. It’s not about perfection—it’s about connection, about finding pieces of yourself in someone else’s story. Julia Jacklin’s album is a masterclass in this. It’s raw, it’s reflective, and it’s unapologetically human.

Personally, I think this is the kind of music we need right now. In a world that often feels chaotic and uncertain, The Gem offers a sense of grounding. It’s a reminder that it’s okay to not have all the answers, to dig in the dark and trust that you’ll find something worth holding onto. And isn’t that what we’re all doing, in one way or another?

So, here’s to Julia Jacklin, to her courage, her honesty, and her willingness to share her journey with the world. The Gem isn’t just an album—it’s an invitation. And I, for one, can’t wait to see where it takes us.